- Actor and dancer with various stage artists between 1997 and 2005 (notably R. Cayre ("O", Les Bonnes), T. Escarmant(Encéphaline), T. Niang(Traversées), V. Parronaud (Territoire), Guillaume Pons gradually left the stage to nourish projects with his visual and sometimes sonic proposals. Self-taught, he explores the tensions of chiaroscuro in Matin et soir (Cie des Limbes), Kindertoten Schauspiel and Ricercare (O. Dhénin) or Encore un beau dimanche and Minotaure (La ligne de désir). Seeking out the light, and seeing what needs to be seen: his sensitivity takes the spectator on a retinal journey.
He sets the sound and vibratory movements of PARS lamps and fluorescent tubes in Machin la hernie (JP Delore), Minotaure (La Ligne de désir) and Tube (M. Monfreux), or lays down Sarah Kane's torments in video feedback in 4:48 Psychose (Ecrire un mouvement). In Pop Satori (La ligne de désir), Incantations, Faustroll and Le Gritche (Cie Pseudonymo) he creates proposals using diodes and trichromatic mixes, and sees their economical, light and incisive electronic sweeps as an opening to new variations.
He has also hosted a number of shows at the Tarmac (international French-language stage), and followed several productions in France and abroad: Au nom du père, du fils et de J.M.Weston (J. Mabiala), Fadjiri (S. Coulibaly), La petite vie bien osée by Sony Labou Tansi (H. Kouyate); he has also created for JP Delore, P. Lamandé and Dave St Pierre. He also tours with Gaëlle Bourges (The bath, LAURA' Gang and AUSTERLITZ), Estelle Savasta(Le préambule des étourdis).
www.guillaumepons.jimdo.com
